Sometime, the essence of the painting is diluted from the painter’s studio to the curator or art dealer; through the ways the painting was interpreted and displayed. Most of the paintings installed in public spaces like galleries had transformed the painting into fragmentary, static product install as a relic for viewing.
Good consideration on the installation of paintings creates an interactive relationship between the viewer and the artist’s work. Installation here refers not to a particular form of art but rather how the painting can be installed in a way which would demand the viewer’s active engagement.
It is necessary to consider the period when the paintings were painted for example, the lightings. What effect will it exudes, if the paintings were viewed under the same lighting as the painter’s studio? We have to note that most of the earlier paintings were painted under the candle-lit studio. A good understanding on how the paintings were created may provide another level of understanding on the differences between studio and open air paintings.
Below is an example of how a painting was installed which may affects the viewer’s engagement. Claude Monet needs no introduction. He gifted his masterpiece Les Decorations des Nympheas to France to celebrate the 1918 victory. These paintings were installed in two oval room specially designed for them.